This privacy policy applies to our use of any and all Data collected by us or provided by you in relation to your use of the Website. Stephen Ongpin Fine Art Limited takes the privacy of your information very seriously. This privacy policy applies between you, the User of this Website and Stephen Ongpin Fine Art Limited, the owner and provider of this Website. Although his reputation in Munich itself remained undimmed throughout most of his career, his work and his reputation had fallen into a gradual neglect elsewhere in Germany and the rest of Europe by the second decade of the 20th century. By this time, however, his work was beginning to fall out of favour with art critics outside Munich. At the International Exhibition in Venice in 1909 Stuck was given a room to himself, and in the later years of his career began to focus on sculpture over paintings. In 1905 he was awarded a Knight’s Cross of the Order of the Bavarian Throne, which raised him to the nobility, and from this point onwards he signed his works as ‘Franz von Stuck’. The house was completed in 1898, and is today a museum devoted to the artist’s life and work. In 1897 he began work on the construction and elaborate decoration of a new home and studio in Munich, known as the Villa Stuck, for which he also designed the furniture. In 1895 Stuck was appointed a Professor at the Akademie in Munich, where his pupils were to include Paul Klee, Josef Albers, and Wassily Kandinsky. His large and boldly coloured mythological paintings, characterized by Symbolist overtones, won medals and prizes at exhibitions in Germany, Europe and America over the next three decades, and he was also much in demand as a portrait painter. Active as a painter, sculptor, printmaker and architect, Stuck was one of the founders of the Munich Secession in 1892, and soon became among the most successful and renowned artists in the city. While still a student he began supporting himself with work as an illustrator, producing drawings and caricatures for the picture magazine Fliegende Blätter, as well as designs for bookplates, menus, and so forth. He received his artistic training at the Academy of Applied Arts and the Academy of Fine Arts in Munich. The artist remained virtually unknown until the 1960s when a newborn interest in Art Noveau brought his oeuvre back to light.Born in lower Bavaria, Franz Stuck came from a peasant stock, and his talent as an artist was evident from an early age. Scholars suggest his art seemed outdated and irrelevant to a generation that just went through World War I. By the time of his death, his artistic relevance was almost forgotten. Franz von Stuck died in August 1928, in Munich, his tombstone stated him as “the last prince of the art of Munich’s great days.”Īlthough at the end of his life, von Stuck’s artwork was already being considered unfashionable, he was still highly respected as a professor by the young students of the Munich Academy. Stuck had several notable students over the years, such as Hans Purrmann, Alf Bayrle, Josef Albers, and Paul Klee. Stuck’s fame and respect only grew, he was ennobled in 1905 and would be recognized and receive public honor around Europe for the rest of his life. He received a 1900 Paris World Exposition gold medal for his furniture. In 1897 he started the design of his studio and residence, called Villa Stuck, his plans went from interior decorations to the layout. He became a painting teacher at the Munich Academy. Stuck won a gold medal at the World’s Columbian Exposition for painting. The following year he executed his most public and critical success, the painting The Sin. Stuck was a co-founder of the Munich Secession, also the year that he completed his first sculpture, Athlete. His first painting exhibition was in 1889 at the Munich Glass Palace, and he won the gold medal for The Guardian of Paradise. He was first known for his cartoons for the German weekly publication Fliegende Blatter. He attended the Munich Academy between 1881 to 1885. With 15 years old, he moved to Munich to begin studying art, and he would settle there for life. Franz von Stuck was a German sculptor, printmaker, architect, and painter.įranz von Stuck was associated with the Symbolist movement, some of his most explored subject matter was mythology, primarily inspired by Arnold Bocklin, often representing seductive female nudes, such as in The Sin and The Dancers.įranz Stuck was born in February 1863, in Tettenweis, Bavaria, Germany.
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